If you see me somewhere please let me know. I’ve no idea where I went.

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Joined 2 years ago
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Cake day: July 2nd, 2023

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  • Absolutely! I’ve had luck with the iFixIt step by step tutorials, but for this specific TV there was a YouTube video where the person walks you through troubleshooting and teardown. I kinda lucked out finding that!

    I highly recommend learning how to solder as well as the basic techniques of using a voltmeter to test power and continuity. There are YouTube videos for these and other skills that help demystify troubleshooting and repair.

    It also helps to have the mindset of “It’s already broken, so what’s the harm in trying to fix it?”


  • A couple years ago I grabbed a 55" LG tv from a curb dump. Owner said the screen would flash briefly, then turn off. Found out that’s typical when one of the backlight LEDs dies (resistance is screwed up). Got all new LED backlight strips for the price of a decent dinner and spent an afternoon switching them out. It’s been our primary TV since and I’m stupid proud about keeping it from the landfill. 100% recommend repairing stuff like this.





  • Someone recommended Scott McCloud’s Understanding Comics, and I’d second that. It’s an in-depth look at how comics work, stylistically & philosophically, and presented in comic form.

    For actually drawing, any tools will work. I started drawing stick figure comics in spiral school notebooks. They were crude, but they helped me improve my storytelling, pacing, and layouts. I copied the drawing styles of my favourite artists. I found a “how to draw” book that worked with my brain (there are so many out there - take the time to read through a couple chapters to make sure their instruction style resonates with your learning style). YouTube is good for tips, but comics are a static medium, so I feel print is a better medium for learning.

    Read all the comics. Break down what works in your favourite titles and what could be confusing or ineffective. Study their timing, which story elements they use (and what they leave out). Track how the pacing changes for dramatic or comedic effect. McCloud’s book will give you the tools to analyse comics.

    While you read and study comics, keep practising your art. There is no finish line - your art will change and evolve as you do, and you will probably never be satisfied with it. That’s okay. Just keep moving forward. Try new things. Keep what works and move past what doesn’t. Be proud of your achievements but not precious. You can always do better, but know when good is enough to move on.

    Stuff I didn’t listen to Back Then:

    If you drew it once, you can draw it again. Don’t be afraid to erase and try something else.

    Draw everything, especially stuff you hate to draw (hands, props, cars, buildings, perspective). Eventually you’ll have a better understanding of how things are constructed and how to simplify them in your art.

    Reference is not cheating. Don’t trace other people’s work, but keep inspiration around as you draw. Poses, lighting, colour, perspective, facial expressions - all of it.

    Don’t chase perfection. Drawing a hundred imperfect things gives you more experience than trying to draw one perfect thing. It also helps you think faster as you create and recognise/avoid dead ends faster.

    You can draw comics on anything with anything that will leave a mark. A friend of mine drew a comic with a stick dipped in ink and coloured it with scraps of fabric.

    Back Then I went from notebooks to sketchbooks to Bristol paper (the classic comic paper). These days I use Procreate on an iPad Mini 6. Sometimes I sketch poses on receipts and sticky notes, take a photo with the iPad and import it into Procreate to finish. The more you create, the more you’ll dial in your style and preferred media. You will find a workflow that works for you, the same way your style will evolve into its own thing.

    TL;DR: Draw everything you can on anything you can. Try all of the tools to see what works. Read and study all the comics.




  • Krudler is coming at it like music is a zero sum game, which is silly. I love the Ramones. I also love more innovative, complex music, as well as plenty of vapid garbage. I’m happy jumping from Art Pepper to Guatafán. None of it is a waste of time if it’s what I’m in the mood for.

    The Ramones were a fresh slap in the face back in the day, and without them punk & new wave wouldn’t be what they are. In the meantime, other artists have built on the Ramones’ foundation. Similarly, Jimi Hendrix revolutionised how people used the electeic guitar as an instrument, but other artists ran with it to the point that his stuff is archaic (I can’t listen to Hendrix for the same reason K dismissed the Ramones, but to each their own).

    I guess what I’m saying is that even if you personally don’t like an influential band, you have to acknowledge that they might be exactly what resonates with someone else. That’s why we have so much music in the world. To the original topic though, Ramones music does all sound the same. Why mess with perfection?


  • On the old vintage Singer shuttle machines (the 27s and 28s) there was no reverse mechanism. The instruction book specified to make sure the needle is out of the fabric, lift the presser foot, slide the fabric back a few stitches’ worth, then lower the foot and stitch over the previous stitches. Do that a couple times and you’ve tied off the thread. That technique might help with yours.



  • I use Photoshop for work, and I keep GIMP installed as a conversion tool because for some reason Photoshop is an absolute wimp when it comes to opening downloaded PNG or WEBP images. About 1/4 of the time I get “Not a PNG” or “Can’t open image due to a programme error.” Clicking the Help option in the error dialogue takes me to Adobe’s help page about saving images, not opening them.

    GIMP has effortlessly opened every single image I’ve thrown at it. After exporting from GIMP, suddenly Photoshop works. Bad look for the industry standard image editing programme.

    I do like InDesign tho


  • Can recommend. I bought a huge bag of these exact babies and spent a Saturday morning hiding them throughout my entire office building, including my own work area (for plausible deniability). People were finding them for years. More than one co-worker would re-hide them, so the babies migrated constantly.

    Nobody knew I started the whole thing they blamed our HR director, who was on holiday that weekend and had an alibi. The mystery kept people intrigued.