Half Life 3 is super late
You’ve just added another month to the release date.
Made the release date ONE MONTH BETTER.
The release date can be calculated as:
x = gabe(n)Where the function gabe multiplies the number of mentions of the game (signified by n) by months since it’s last mention
We’re fucked then
Half Life Alyx was sick and demonstrated everything VR could be. I will standby that statement and tolerate the flamers.
Hard agree. That game is what I hope the future of games is like. Meeting Jeff is one of my favorite moments in gaming.
I started my second playthrough before even completing my first (due to PC upgrades) and I’m still having a great time.
I actually have that in my library because I bought the Index but haven’t played it yet because I wanted to play the first 2 games first. I didn’t play the first game for very long tho because I got stuck at some point early into the game and haven’t felt like continuing yet. You can also really feel the age of that game, controls and that kinda stuff. Not sure if I should just punch through that game or just say fuck it and play Alyx.
Well you’re in luck because there are VR mods available free for the older Half Life games. Just get the Orange Box or something with all the half life backlog and VR mod them for free.
If by “first game” you mean HL1, you could try playing “Black Mesa” which is a fan remake of the game, in the same engine that powers HL2. It’s not a 1:1 recreation, but it’s close enough (and I feel it improves on some things).
HL2 is also 3 seperate games (HL2, HL2 Episode 1, HL2 Episode 2), so make sure you have all of those in your library.
At the very least, I’d suggest playing HL2/EP1/EP2 before Alyx, since those would provide the expected background for Alyx, despite it technically being a prequel-ish thing.
Half life 1 just got a new big update that makes it much better to play this day and age and fixed a bunch of bugs. Either way you could skip 1. As a kid I never played 1 and went straight into 2, then 2 episodes 1 and 2 with the orange box. I still haven’t finished 1 but with this new update I think I’ll go back to it some point soon now.
At some point the Late vs Suck balance will tip the scales of So Late That the Customers Lost Interest or Died
I played hl2 as a teen.
One of my kids just finished episode 2 and asked me when the next one was coming out. I was like “oh bud I got some bad news for ya”.
It’s generational disappointment at this point.
Bungie announced a new Marathon game
Which is more inspired by rather than a full on sequel from what I’ve heard.
Am not sure there’s a way for them to release HL3 and don’t disappoint huge number of people. Not because they suck at making games but because expectations have grown so so so much they are downright unachievable now.
The logical end point of that argument is not everyone is going to be happy with everything so why release anything.
Is it?
deleted by creator
deleted by creator
Eh, gaming journalism just wants clicks to get ad-revenue. They would write an article about anything. Gabe waking up in the morning is news worthy to them.
Eh,
gamingjournalism just wants clicks to get ad-revenue.
I’m looking forward to the ward between factions posting the two quotes in comments sections every time a game gets delayed for the next several decades
Is Gabe slowly turning into a wizard
Gabe has remained a wizard through all of time
I’m pretty sure he is Santa
If he is then I guess nobody ever put Half Life 3 on their Christmas list
I hope so.
wizards are turning into Gaben as he echoes across eternity. It seems like he’s turning into a wizard, but that’s because we can only see behind us in time.
tbf that’s a lot easier to say when you’re the president of one of the richest companies in the industry. I don’t disagree, but not everybody has the resources to just keep developing forever, and that’s easy to forget too.
But he’s also president of one of the richest companies in the industry because he always said this.
And while your point is valid for smaller studios, it feels like it’s usually used by the big ones that do have the resources, but would rather give more money to investors.
Yeah, no one has a problem with small indie groups doing early access, aka terraria, rimworld, factorio, minecraft. It’s about keeping expectations in check and having a good fun base game.
Rogue Legacy 2 had a great early access in part because it was regular releases with a lot of communication and they set great expectations for it. I knew what I got myself into and had a blast trying each new area as it came out.
It’s often enough AAA with tons of money that force insane crunch to hit a release date and still have buggy, uncompleted games.
In the documentary this quote is from he said that about thr development of HL1. To be fair the devs themselves said they voluntairily crunched quite a bit and had some time constraints at the end of the game.
Fun Pimps were a smaller company and they have been developing 7 Days since my gramps was in nappies!
The context for this was them deciding to take the time to finish the game properly even if they were no longer going to get paid to do it (the publisher would stop funding).
suck is forever
Why is the consumer just expected to roll over and take it when a game sucks instead of the responsibility being on the publisher to release updates until the game resembles what was originally advertised? Games aren’t on ROM cartridges anymore, you can still improve the game after it’s released.
Look, No Man’s Sky set the precedent for what you’re supposed to do when your game sucks at launch. And we should expect nothing less from game studios with ten times the person-power and money.
No Man’s Sky is a great redemption arc, but it would have been better if the game hadn’t sucked at launch
Yeah, if a product is sold, I expect it to work for the most part. Now, mistakes happen, and not much to do about very obscure things and it’s great if thing can be added afterwards.
But what I want, and this is apparently wild, is a finished 1.0 product that works as expected.
Obviously sucking at launch is bad. But it’s inevitable that some games will suffer that fate and as No Man’s Sky showed, that’s no excuse for the game continuing to suck after launch.
Yeah, if their publisher hadn’t forced them to release in its unfinished state, it would’ve been a lot better.
I was gonna write. I agree with him but No Man’s Sky kinda defeats his point.
I pre ordered no man’s sky, because the people who made fucking Joe Danger said “I’m going to procedurally generate a universe”
I played it a bit at launch, but the antihype, especially spoilers about the ending made me stop. It’s a bit dense to try to get back into at the moment, but I regret nothing. I paid a modicum so that the guys that made Joe Danger could make a universe, and because me and people like me didn’t demand a refund, they got to do it.
Thanks, because I bought it after it got good and I’ve put 1000+ hours into it.
Agree. Also the same with CP77 - I don’t care how much they update and polish that game, I’m not touching it again. It was barely playable on XBOX1X on release. I luckily was able to sell my launch day copy with a small loss, but I’m not trusting them with my money again, after I (and many others) have been misled, and given an unplayable game on consoles.
I am not an investor to lend money to the company for development, I am a consumer, so I want a working game for my money on Day 1, otherwise I’m shopping elsewhere - as plenty of studios manage to great and polished games (e.g. most PS exclusives).
I always wait a few years before buying a game. It prevents situations like this and saves aot of money to boot. Not just the game price but also because I don’t need the highest spec pc
I have no proof but in my eyes it all smells like Sony and other gaming news are to blame. They hyped up the game to unachievable levels and then held Hellogames to the previously set deadline. I am very happy they sat down and finished the game, although there is new content patch ever few months still. Gave them those 60$ happily even though it’s not my kind of game.
It’s not a redemption arc, it’s a people forgetting it exists except for those who want mediocre resource accumulation simulators.
Why is the consumer just expected to roll over and take it
They’re expected to do it because that’s exactly what they do, every time.
Exactly, when you buy a shit product you should learn not to do the same thing. People are still out here buying crap and complaining on the internet where the money having developers couldn’t give less of a fuck.
And the same goes for microtransactions, devs put them in because gamers buy the everliving fuck out of them.
Gabe was talking about the making of Half Life, back when you shipped your disc and that was that. And the game was, apparently, crapola.
Same kind of deal with the original Deus Ex. It was a spaghetti of poorly interacting systems until the devs were able to make it all click together.
Gabe was talking about the making of Half Life, back when you shipped your disc and that was that. And the game was, apparently, crapola.
There were patch and updates back in the day. The problem was that not everybody had a good internet connection or a connection at all, during the 90’s.
Games like Daikatana and SiN were flops due to bugs that required patches to fix.
I remember getting patches on my PC gamer discs. Good times
CP2077 had a bunch of issues on release as well. Much better now. I feel like they(developers) need to bring in different testers near release. If you have the same testers whom have been testing builds for years it can probably be hard to see the issues with the same clarity.
Also stop having release dates. Just use vague terms like 2nd half 2024. When you get the release build, anounce a date, like a month later, give your devs a couple weeks off as there will be missed bugs after release. Hard release dates aren’t helping these situations.
It’s not about unknown issues on the dev side, it’s about greed. CDPR wanted to release for Xmas when the large playerbase of the prev gen consoles was still relevant, so they happily pushed marketing and lied to take people’s money, hoping they can pay exec bonuses and fund future development from that.
Sony had to pull the game from the online store, as it was barely playable. One good question of course why Sony would let it even be there without testing, but of course major companies are trusted to QA themselves, and not release a broken game - luckily this seems to work most of the time.
Because people will pre-order games to the point that it’s made a healthy profit even before it’s even released. Consumers vote with their wallet and for some reason gamers just constantly choose to show publishers that shoddy, half-assed products are good enough for them.
It’s because that’s how capitalism works. If you keep buying stuff from the same source without due diligence, you can’t be surprised when you get stuck with another sucky game.
The only incentive to spend resources on fixing a game is to preserve reputation for future games.
However, delay also doesn’t mean a better product. It’s possible for a game to be delayed a ton, and then still really suck.
Delay doesn’t equal good. DN: Forever and Aliens: Colonial Marines made that clear.
Didn’t colonial marine turn out to actually have really good AI that totally changed the game feel that had been broken by a single misplaced semi-colon or something?
https://www.polygon.com/2018/7/15/17574248/aliens-colonial-marines-fixing-code-typo-ai-xenomorphs yep, a code typo broke the alien AI. Unfortunately for that game though no amount of delays could’ve helped it, there were many more problems besides the AI. The AI was just the biggest problem.
Well the AI went from “literally dogshit, you can run past them without a second thought” to “oh you have to fight them now.”
Not sure how good it is in the grand scheme, but at least the update fixed their brokenness and made the game playable.
Still better than if they released the same game earlier. Unless of course they kept adding features or content.
The real question is… Can indie games publishers afford the delay of a game?
Valve was a completely new company then. They weren’t going indie, but Sierra didn’t pay them for the remake of Half-Life. In the documentary they talk about financing it by creating Half-Life: Day One.
Chet Falizek, a dev who led L4D and a couple other games at valve talks about this a lot on TikTok, now that he’s running an indie studio. He’s a cool guy, would fit in on .ml or something for sure.
Depends on the circumstances. Small self funded team, part time? Can probably delay indefinitely.
Implying they’re not passing on whatever that “costs” them to the studio…
Yes. If I can wait for the Dune movie in February, video game nerds can also wait.
It’s up to the companies to coast and ration their resources accordingly.
Generally they would fare better than AAA studios who are beholden to their publisher to release no matter what.
Usually publishers have multiple products in development simultaneously with varying degrees of investment, the more money invested into a studio to develop a game the more urgent they want it finished.
Counterpoint: Star Citizen.
I’m not being snarky there. If there are no deadlines and unlimited feature creep, you get Star Citizen. Or rather, you never get Star Citizen except as a janky hyper-monetized pre-alpha.
Yes, landing is difficult.
There is delaying to release a higher quality product and delaying while having features creep… Not the same thing.
Nah star citizen was a scam first, game second. If it ever produces a game it will have been purely incidental to continuing to run the scam and milk those whales
I kind of believe Chris Roberts himself is just an overambitious perfectionist. He pulled the same kind of bullshit with Freelancer, which only released because Microsoft put its foot down.
I can also believe that a lot of the top people around him are grifters feeding his ambition and perfectionism to keep the gravy train running.
Either way, they got my Kickstarter money so the only entertainment I’ll ever get from that game is opining about it like I know anything.
That’s my take too, though “overambitious perfectionist” still sounds too flattering for what a bumbling narcissist he is.
He even put himself directly into the fiction’s lore as
but bigger.
Me disappoint you long time
I mean, Miyamoto said pretty much the same thing long ago. Glad to see Gaben being on the same wavelength.
There’s no way he didn’t know. You don’t exist in that industry and not know.
Wow, I stand corrected. Neat trivia. In that case Gabe simply stated an idea that has been around the industry for a very long time.
Game developers seem to be very afraid to change core features or the story of the game in a major way (even if the actual work would not be too extensive) after release. But there are enough examples where games improved a lot after release.
Sure, the initial impression of the game might be ruined, but that is more a consequence for the producers that most often where responsible for the rushed release, than for the gamers or developers, of the game is fixed afterwards.
“Suck is forever”
That’s some Gen X Yoda shit.
Joke on him, often game gets delayed under this exact pretext and it suck anyway.
I think it becomes a mixture of too early and delaying.
Some games clearly need another year to finish but they delay it for half a year and wont allow more for themselves
While this was true in a pre-Steam world, it hasn’t been true for a while.
See Terraria (which didn’t suck, but was lackluster compared to how the game is now), No Man’s Sky, Cyberpunk 2077.
I don’t have a problem when small studios do it for games like Terraria and No Man’s Sky. It keeps them solvent without having to attach themselves to a big publisher.
I do have a problem when a giant, established company does it, as is the case for Cyberpunk 2077.
There’s also a recent trend of “forever games”, where it’s clear that the goal is to keep you playing it perpetually. It has both upsides and downsides. These games tend to change intensely over the years. Minecraft is such an example.
Cyberpunk and NMS did exceptionally decent first day numbers…and then they didn’t do exceptionally decent numbers due to the well-deserved backlash. They would have sold even more copies over the last 5 years if they didn’t scare half of the gaming industry away initially. You have to work really damn hard to save your game from death. Case in point: Bethesda isn’t working to save Redfall and it shows.
Whenever I hear this quote I also think of the developers/publishers. They need to have a good reputation so people buy their games.
I think that’s why EA, Blizzard, Ubisoft, Activision, etc sales have gone down. I will not say that gamers react fairly when it comes to unfinished game releases, but it takes one bad game to ruin a developer. Especially when you consider how small the margins are or if they are publicly traded. Even developers with good games have recently been going out of business because it’s not sustainable.
I also think of their legacies. Especially in a post-steam world, a game with a good legacy will continue to sell for much longer. I don’t think a game like Watch Dogs ever got rid of the stink surrounding it, even though it isn’t a bad game to go back to nowadays.
Removed by mod
And most of the audience is either autistic or neurodivergent with impulsive and/or compulsive disorders, and have unstable hyperfocus and obsession issues.
Really? Most of the audience?
Seriously this take is fucked up. Let’s put gamers in a bucket of mental cases because they like to play Tetris lol
Removed by mod
Let’s dig that hole deeper my dude!
Removed by mod
- The alternative to current model of game launch + DLCs/features added over the year is that the game is not launched at all until ready and full featured.
I haven’t seen significant numbers of people complaining that their drip feed of content isn’t coming fast enough. I’ve seen people complaining about spending a non-trivial amount of money on a visibly broken game that clearly had plenty of developer resources for microtransactions and loot boxes.
Gamer audience is privileged, consumerist and impatient. And most of the audience is either autistic or neurodivergent with impulsive and/or compulsive disorders, and have unstable hyperfocus and obsession issues.
Being a game developer had its moments but was still easily the worst job I’ve ever had, predominantly due to the community.
That said, I still wouldn’t go diagnosing millions of people with some bullshit I just made up.
