Welcome!

That graph looks nice. There’s also new instances popping up. Looks like healthy organic growth.

In addition, some hashtags you could follow on Mastodon-like softwares are #fosdem, #fosdem26, #socialweb and #fediverse.

There’s a lot of stuff happening and watching these hashtags and hanging out on matrix when you’re attending remotely gives you a little bit of a feeling of being there.

There’s !loops@lemmy.world already, which is quite active.

Hallo, wollte dir nur kurz einen fröhlichen Überstundenabfeiertag wünschen. Grüße aus meinem Freitagsimmerfeiertag.

COPILOTS, COPILOTS, COPILOTS, COPILOTS!!!

There, I updated it for you and I hate it.

Hab letztens festgestellt, dass meine Instanz jetzt erfolgreich !ich_iel@lemmit.online föderiert. Fühlt sich komisch an. Ist eine andere Welt da drüben.

Dinkel-Netz-Brot < Das-mit-der-Hand

Okay… there are better ways to do bug reports.

I like how the black keys just dissolve into chaos at one point

There are better ways to do feature requests.

Most artists get under 1000 streams. Small bands, songwriters, local artists etc. If you don’t pay small artists you are only supporting “mainstream” art that sells. But art should never be created with the intent to sell. Art should be created because the artist wants to create exactly what they want, regardless of saleability. This way you get a diverse field of music with genres you can’t even imagine today.

When you only pay above 1000 streams, artists might change their music to be more “consumer friendly”. You get more of the same “mainstream” art. During that process you lose a lot of great music that doesn’t sell well but still deserves to be paid equally.

88% of songs didn’t get any payout, because they demonetized all songs below 1000 streams. They only pay big artists.

hin und wider geht das wohl.

Birds are cool

boop

Eher vielleicht eine Fußgesichtsmassage verkaufen

!anythingbutmetric@discuss.tchncs.de

Italienische Volksfahrräder?

Das ist unnormal breit