7 Elisabeth Natour: Art and Diplomacy (1/7)
https://doi.org/10.1515/9783110672008-007
#emdiplomacy #art #history #arthistory #earlymodern #histodons @historikerinnen @histodons @earlymodern
7 Elisabeth Natour: Art and Diplomacy (1/7)
https://doi.org/10.1515/9783110672008-007
#emdiplomacy #art #history #arthistory #earlymodern #histodons @historikerinnen @histodons @earlymodern
@historikerinnen@a.gup.pe @histodons@a.gup.pe @earlymodern@a.gup.pe
Additionally, #emdiplomats increasingly commissioned paintings themselves, often displaying them as diplomats. These paintings get more and more attention by current research. An especially famous example is Holbein’s The Ambassadors, showing the French ambassador to England, Jean de Dinteville. (5/7)
#emdiplomacy #history #art #arthistory #histodons #earlymodern
@historikerinnen@a.gup.pe @histodons@a.gup.pe @earlymodern@a.gup.pe
That there’s still much to learn about the way #emdiplomats wanted to be present themselves, shows this rather unusual portrait of Sir John Luttrell painted by Hans Eworth. (6/7)
#emdiplomacy #art #arthistory #earlymodern #history #histodons
@historikerinnen@a.gup.pe @histodons@a.gup.pe @earlymodern@a.gup.pe
Natour thus argues for more interdisciplinary cooperation between the history of diplomacy, art history, the history of music, the history of ideas as well as theatre and literary studies.
If we want to understand what #emdiplomacy was and who #emdiplomats were, we need, according to Natour, include paintings and other visual media in our considerations. (7/7)
#art #arthistory #NewDiplomaticHistory #history #histodons #earlymodern